Filmmaker/Theatermaker
Kyle Harrison Friedman
Recent films
Directing
Directing
This reel highlights my directing style with an original composition by Austin Nipper.
2026 DIRECTING REEL
Indulge in the captivating narrative of this surrealist musical comedy as it unveils the journey of a people-pleasing waiter propelled into an act of audacious defiance, seasoned with a touch of phlegm-matic charm.
This project is a distinguished addition to a trilogy that delves into the intricacies of the human experience, cleverly conveyed through the language of code that intriguingly contrasts the notions of connection and consumption. The short film possesses a noble ambition—to generate catharsis not only for its audience but also for the hardworking laborers behind its creation. Themes of self-acceptance, hedonistic tendencies, and the complexities of pride intertwine to offer a thought-provoking exploration into the human psyche.
ALL EYES ON ME
Embark on a whimsical journey as two former boy scouts join forces with two women donning fake mustaches, all in pursuit of a muffin, or perhaps a deeper quest for life's essential philosophies, searching for the very essence of God.
Throughout the rehearsal process of this surrealist short, our team embarked on a profound exploration of the concept of "masculinity." Through intricate vocal and physical exercises, our ensemble crafted their own unique interpretations of what masculine identity signifies, resulting in a tapestry of personal expressions that enrich the project's narrative depth.
WE BOY SCOUT
Embark on a poignant journey as a young man finds himself entrusted with a dear friend's ashes and a unique request: "Make me into pancakes...and eat me."
This film masterfully navigates the intricate tapestry of diverse relationships, delving into the profound bonds that tie us to one another. With an exploration of the extent to which one would venture for the sake of friendship, it skillfully unravels the depths of human connection and the extraordinary lengths we are willing to go in honor of those we cherish.
MAKE ME INTO A PANCAKE
This is not the typical content I create. I hope this showcases my postive personality.
FRESHMAN YEAR OF COLLEGE
THE SPAGHETTI SCENE
Immerse yourself in a captivating experimental endeavor, captured on film, that ingeniously pays homage to the iconic Spaghetti scene from "Lady and the Tramp." This project goes beyond mere emulation, shedding light on our contemporary era's apprehension toward intimacy and the diminishing essence of romance.
Designed to be projected in a dimly lit expanse full of fog, the film invites audiences to step into a realm where light and sound converge, surrounded by an ambient atmosphere. As you explore the space, you'll be engulfed in a symphony of visual and auditory sensations, inviting you to ponder the nuances of human connection and our evolving perceptions of intimacy.
Producing
Producing
Producing
Bo Nitzor Student Film Festival
Bo Nitzor Film Festival | Founder & Executive Producer
I secured a competitive grant from Hillel International to drive creative engagement at Ithaca College. When the pandemic hit in 2020, I pivoted the project to launch "Bo Nitzor" (Hebrew for To Create)—an innovative, digital-first film festival designed to maintain community during isolation.
I led the production of an interactive digital platform that showcased twenty student films from across the U.S. By coordinating expert panels, managing a remote staff, and executing a nationwide "swag bag" logistics plan, we turned a period of adversity into a high-engagement cinematic event. This project remains the blueprint for my commitment to Efficiency and Community—proving that "surreal dreams" can be built even in the most restrictive environments.
Humbly Yours, Hassock Von Ottoman
Humbly Yours, Hassock Von Ottoman A Theatre Near U | Line Producer
I spearheaded the business and logistical infrastructure for this SAG Ultra Low Budget feature from initial pre-production through final distribution strategy. Managing a diverse staff of 50 and a $350,000 budget, I ensured that the creative vision of Hassock Von Ottoman remained financially viable and operationally sound.
Key Contributions:
Financial Oversight: Directed all fund allocations, payroll, and SAG-AFTRA compliance.
Team Leadership: Managed department heads and a 50-person crew, fostering a high-efficiency culture (CEEF) on a fast-paced set.
Lifecycle Management: Successfully navigated the project through the complexities of COVID-era production and into the current post-production and distribution phase.
View Project Credits: IMDb
No Choice
"No Choice" (Feature Film) | 1st Assistant Camera
I served as the 1st AC for this surrealist psychological drama exploring the harrowing realities of reproductive rights in a post-Roe America. Managing the technical integrity of the camera department, I ensured precision in every frame of this visually complex, dream-state narrative. Currently streaming on Amazon Prime, No Choice is a daring blend of social realism and psychological horror that challenges the viewer's perspective on autonomy.
A Piece of Art mini-series
A Piece of Art | Creator & Executive Producer ICTV Mini-Series (6 Episodes)
I founded and led the production of "A Piece of Art," a three-hour scripted mini-series. I managed a massive undergraduate team of 115 members, overseeing the entire lifecycle from the initial writer's room to final post-production and broadcast on ICTV.
This project served as the birthplace of my CEEF philosophy (Community, Education, Efficiency, and Fun). By prioritizing a harmonious set culture, we successfully executed a complex, "meta" narrative following three artists competing for a scholarship while being manipulated by their own documentary crew. This experience solidified my ability to manage large-scale logistics without losing the "heart" of the story.
Zimmermann Casting
Casting Assistant & Digital Strategist
Zimmermann Casting | London, UK
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Digital Transformation: Spearheaded the transition from physical paper filing to a streamlined digital database, increasing office efficiency and document accessibility.
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DEI Innovation: Expanded the agency’s talent database by implementing a dedicated non-binary casting category, ensuring inclusive and representative casting options for modern productions.
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Production Management: Managed the comprehensive production binder and talent logistics for the Bille August feature film Me, You (starring James Franco).
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Talent Scouting: Proactively scouted over 50 London-based theatre and film productions to identify and recruit emerging talent for the agency's roster.
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Session Direction: Facilitated high-stakes in-person auditions, managing talent flow and assisting in the direction of chemistry reads and screen tests using industry-standard software (e.g., Spotlight, Cast It Systems).
The Rosenweig Group
The Rosenzweig Group | Los Angeles, CA
Development & Talent Management Intern
At this premier boutique management firm in Beverly Hills, I worked at the intersection of creative vision and market viability. I provided high-level script coverage and talent evaluations, identifying projects with the potential for both critical Catharsis and commercial success.
This role was a deep dive into the Funds and Education aspects of production—learning exactly how stories are packaged, pitched, and protected in the most competitive market in the world. By supporting the management team in talent relations and daily operations, I gained an "inner-circle" understanding of the logistics required to move a project from a surreal dream into a global reality.
